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“Every passage leaves another unopened.”
Layers of red, black, and dark gold unfold one after another; arches and crows are hidden in the depths of the composition, while large swaths of dark space remain empty. Repeating borders, play of light and shadow, and geometric relationships create multiple pathways, generating a subtle tension between openness and enclosure within the composition.
Inspired by architectural entrances that coexist yet lead in different directions, this work treats the unexplored spaces as a metaphor for choice: every step forward is accompanied by another possibility left behind.
“Not everything broken comes apart."
Pale bones and deep red forms intertwine, creating a dense and complex structure against a fiery red background. Heavy brushstrokes emphasize the rigidity of the bones and the suppleness of the red tissue, allowing fragmentation, entanglement, and connection to coexist within the composition.
Inspired by forms in nature that remain interconnected even after their structures have disintegrated, this work uses the intertwining of bones and red tissue to express an inseparable relationship: while forms may change, certain connections will endure.
“Absence has a way of taking up space.”
The dining table, covered with a white lace tablecloth, is set off to one side of the room, with two wooden chairs facing each other quietly. The vast, bare green wall creates a striking color contrast with the bright red floor, lending this ordinary interior scene a sense of restrained and subtle absence.
Inspired by a room that remains unchanged even after the waiting is over, this work uses offset furniture and large areas of negative space to convey the presence of “absence”—sometimes what truly transforms a space is not what is left behind, but who is missing.
“Some journeys end where the light begins.”
Blocks of red, black, and dark gold create a serene geometric space; a light-colored sailboat rests on the horizon, flanked by two circular sources of light—one bright, one dim—positioned on either side of the composition. Vertical structures and curved surfaces intertwine, giving rise to a quiet and stable order among the sailboat, the light, and the space.
Blocks of red, black, and dark gold create a serene geometric space; a light-colored sailboat rests on the horizon, flanked by two circular sources of light—one bright, one dim—positioned on either side of the composition. Vertical structures and curved surfaces intertwine, giving rise to a quiet and stable order among the sailboat, the light, and the space.
“Awakening begins at the edge of the unknown.”
A red, rounded form hangs in a dark space; at its center stands a building composed of red, gray, and black geometric shapes, with narrow arched doorways and staircases leading inward. The vertical structure, the entrance, and the reflection on the ground form a clear visual axis, creating a subtle tension between enclosure and access.
Inspired by the fleeting and hazy state of consciousness just before waking, as well as the spatial guidance provided by doors, stairs, and light, this work treats the entrance as a symbol of the boundaries of consciousness: crossing the threshold does not signify arrival, but rather the beginning of a process of re-identifying the world before one’s eyes.
“Blooming and fading were never two separate things.”
Flowers emerge from the dark in different stages of life—petals unfolding, bowing, and falling, with warm whites and deep reds intertwined. Heavy, direct brushstrokes hold these shifting states together in a single suspended moment.
Inspired by the brief passage from bloom to decay. The work does not treat fading as the opposite of flowering, but places both within the same course of life—one half still opening, the other already gone.
“When the building disappears, the arch still preserves the shape of time.”
A fragmented Gothic pointed arch emerges from a weathered wall, its slender architectural lines contrasting with broad areas of peeling texture. Layers of brown, muted grey, and dark gold cover the surface, making the structure appear as though it is slowly being absorbed by the wall and by time itself.
Inspired by surviving arches and architectural fragments found in ancient Gothic structures. The work reduces an entire building to a solitary trace, using erosion, decay, and absence to explore how time transforms space—and how what once existed can endure in another form.
“Time hangs from the branches, while the wind keeps its secrets.”
Ancient trees stretch across the composition, draped in curtains of Spanish moss, while distant buildings fade into the humid, hazy air. Layers of grey-green, aged gold, and ivory create a stillness softened by time.
Inspired by Spanish moss found throughout the wetlands and old gardens of the American South. Draped like veils over trees and architecture, it leaves the landscape suspended between reality and memory—a quiet trace of time passing slowly.
“The tree keeps growing, while the names sink into time.”
Thick, twisted cypress trees loom over a silent cemetery, where scattered gravestones gradually dissolve into the grey-brown earth. Muted tones and heavy textures blur the boundaries between trees, land, and the remnants left behind.
Inspired by old cemeteries where cypress trees continue to grow beside weathered gravestones. The work sees the trees as silent witnesses, connecting the persistence of life with the gradual fading of memory.
“The road continues, though the land has sunk beneath the water.”
A narrow road cuts through a desolate landscape submerged in water, where skeletal trees and remnants of fencing cast broken reflections across the surface. Faint traces of dark red interrupt the monochrome scene, leaving a subtle yet unsettling sense of life within the silence.
Inspired by flooded roads and landscapes slowly disappearing beneath water. A road usually promises arrival, but here it stretches toward an uncertain distance, becoming a metaphor for lost direction, departure, and the unknown.
“Even the last harvest holds the warmth of a fading season.”
Beneath a stormy blue-gray sky, scattered pumpkins glow against the darkened earth. Rough palette-knife textures, layered pigments, and a fading horizon capture the quiet melancholy of autumn's final days.
Inspired by fields after the final autumn harvest, the scattered pumpkins and quiet earth symbolize the stillness that follows abundance, reflecting nature's endless cycle of growth and decline.
“Every departure begins at a familiar place.”
A quiet road winds through an old village beneath a pale, overcast sky. Weathered buildings, dark rooftops, and a stone gateway emerge in muted grays, ochre, and brown, creating a dreamlike atmosphere suspended between familiarity and the unknown.
Inspired by historic European villages and the symbolism of passageways, the work explores belonging and departure, where an ordinary gateway becomes a quiet threshold between the past and an uncertain future.